Hiato, the Swiss-German collective Rimini Protokoll, and Catalan director Roger Bernat. From the dialogue with the concepts of theatres of the real (SAISON, 1998 FERNANDES, 2010 MARTIN, 2013), expanded theatricality (DIÉGUEZ, 2014 SÁNCHEZ, 2015), and audience theatricality (CORNAGO, 2015), this research focuses on the analysis of the trajectory and of specific works of artists from the contemporary scene who stand out by their work with actors of everyday life, such as French director Jérôme Bel, the Brazilian Cia. We start from the hypothesis that the incorporation of actors of everyday life collaborate to change the “regime of visibility” (RANCIÈRE, 2009) of bodies and subjectivities in the context of performing arts, by broadening the possibilities about who acts in theatre and dance. The term includes people who do not necessarily have artistic training and are invited to take part in current creations from a self- referential perspective. This thesis aims to investigate the aesthetic and critic potentialities related to the presence of the actors of everyday life in the context of contemporary performing arts, addressing creations produced in Brazil and Europe at the beginning of 21st century.
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